A Tempest

First of all let's we will understand Introduction of Colonialism.

 Colonialism means The policy or practice of equiring full or partial

political control over another country, exploding it economically.

Colonialism: Conquest + Control.

  Post colonial Literature:

Is a study on the effect of colonialism on cultures and societies. 

Concerned with both how European nations conquered and 

controlled.

“Third Word” Culture and how these Europeans have since 

responded to resisted those encroachments. 

A Tempest is a post colonial revision of Shakespeare's The Tempest

 and it draws heavily on original play:The cost of character is for the

most part, the same , and the foundation of the plot follows the

 same basic premise.

Prospero has been exiled and lives on a secluded island, and he 

  drum supa violent storm to drive his daughter's ship

 ashore.The island,however is some where in the Caribbean ,

 Ariel is Mulatto slave and Caliban is a black slave.

A Tempest focuses on the plight of Ariel and Caliban-the never 

ending quest to gain freedom from prospero and his rule over

the island. 

Ariel, dutiful to prospero, follows all orders given to him and 

  sincerelybelieves emancipation. Caliban, on the other hand,

slights prospero at every opportunity.

In the first act:

“ Caliban greets prospero by saying “Uhuru!”, the Swahili word for

 “Freedom”. Prospero complains that Caliban often speaks in his 

native language which prospero has forbidden.

• Caliban, generally viewed as an almost archetypal 
    representationof the third world colonized subject originated in
   Shakespeare's The Tempest.
  Conversely, in third world countries, this character has developed 

  into a positive symbol of the Third World a view that high lights the

   implacable spirit of Caliban against Prospero's subjugation.

  The reiterations of Caliban as a symbol of the Third World can be 

  found not only in a dramatic work, such as in Aime Cesare's A 

  Tempest but also in psychological and political treatises, such as

  those written by Octavio Mannoni and Fernando Retamar. It is 

  interesting to situate the process of Caliban's surrogation within the 

  realm of post colonial theory.

We would critically analyze Caliban as a character not as a class of 

slaves, we therefore argue that who feel marginalized the play from

 Feminist critics the character of Miranda and from the perspective

 of postcolonial critics the character of Caliban. But the loophole is

 that just to quote Miranda and her speeches or a faulty perception

 of Caliban’s character in order to acclimatize with the feminist or 

post-colonial theory kills the beauty of totality of the play.